My newest album, OMNIVERSE, drops today! This is my first full VOCALOID album, and features twelve original works and one cover song. Over the next month or two I plan to share more background information, release a few more single versions, and create more promotional materials like lyric videos. For now, let’s just get directly to the music!
So, obviously I want to get this music into as many ears as possible, so please like and share, but also let’s get some conversations going. Comment on the things you like, and even things you don’t like! Ask me questions so I know what you’re interested in learning about. I realize that Vocaloid is new for a lot of people, and I’m more than happy to share what I’ve experienced in my limited time working with this fascinating technology.
Also, subscribe to things! Especially YouTube and Bandcamp. The numbers help, but also, these are usually the places things will show up first. Videos go up on YouTube hours before I start announcing them or blogging about them, and Bandcamp has actually had the album live and available for sale since Friday, because I upload directly to them, instead of going through a distribution service like I do for the more popular services.
And while I’m on the subject, sometimes people ask me if I have a preference regarding which service they purchase/stream from, and that’s an easy answer: Bandcamp. They give me the biggest share of the profits, deliver that money to me the fastest, and give you the best quality product (or at least the choice, since you can stream or get MP3s from them if you want to) of any service. I’m thrilled to have you listen wherever is convenient, cost effective, or just preferential to you, but if it doesn’t make any difference to you, please consider giving Bandcamp a try!
Enjoy the album, let me know what you think!
Love & Music,
Not a lot of time to write this up because we are in the middle of painting the studio in preparation for moving stuff in, which is slated to happen at the end of the month:
But in the meantime, I am nearly done composing my next album, tentatively titled ‘OMNIVERSE’. Not only that, we have pretty close to finished tracks (mostly waiting on final tuned vocal tracks from me) on well over half of the album! The album will feature Luka, of course, as well as Avanna and Dex from Zero-G. At this point I am shooting for a roughly late June or early July release, which seems totally doable unless ‘life’ happens, heh…
Here is some awesome cover art by Marishelle Buchess, which I commissioned. She is also working on art for several single releases, so everything is on track (ha!) for releasing when the music is finished.
So, some updates regarding my previous post: I am no longer streaming Final Fantasy. It was a fun test, but ultimately off brand. A lot of my Vocaloid community colleagues have indicated that they would love to see streams of me tuning the Vocaloids, so if I can figure out an effective way to set that up I will!
I may also give up on Trello for organizing albums. I’m not 100% sure what I will ultimately use to manage my music projects and share that process, but Trello isn’t cutting it for me, as evidenced by the fact that I’ve taken to using a physical white board and/or scraps of paper again instead. I will find a shareable digital solution eventually, but Trello doesn’t seem to be it.
That’s all the updates for now. Should be able to do more updates more regularly once moving is complete and the new studio is set up properly. In the meantime, rest assured that I am constantly working on stuff, I just don’t always have time to post about it 🤓
This morning, in the wee hours, I released “Exists 2017” as a single, along with a pair of videos (official & visualization). This upbeat dance track features a familiar speech, and an overall hopeful message and sound. The Pulse Depravity album as a whole does question the darker aspects of our human nature, but it also features moments of happiness and hope, a reflection of the complexity of life. That said, I’ll just let the music and accompanying visuals explain themselves, and move on to some news.
I recently discovered a new music distribution service called “DistroKid”, which has a different pricing structure that has made it cost effective for me to release singles as well as albums. Right now, all three tracks that are currently on Bandcamp are also being processed to go to more popular services such as iTunes, Amazon, Spotify, Pandora, etc. I will begin posting direct links once the tracks are live on these services.
I want to give some shout outs to a bunch of people who are helping in various ways to make this possible: My family for being patrons and participants in the process. An extra shout out to my dad for taming the sample noise! Nathan for moral support and help with breakdowns. The Human, for going above and beyond to make these tracks sound amazing. Steve, for finding new homes for my music. And especially Ann, for all of the things, too many to count or list. I’m sure over time this list will grow, but it’s never too soon to start thanking the people who make it possible to get up in the morning and pursue your passion. Thanks guys!
“Depravity 2017” released today! I’m going to hold off on doing an official video until I can figure out how to better crowdsource video clips for it, but I didn’t want that to stop y’all from hearing it because it’s a fantastic track with a lot of deep, heavy thumpyness and ear-shattering FM transients.
I should mention a few things in case anyone is curious, so y’all have some idea where I’m headed with all of this:
- You may have noticed that I’m not releasing on iTunes, Spotify, or other popular download/streaming services, and that may seem like a big mistake. I have every intention of releasing on those platforms, but I will do so once the album is complete. In the meantime, I strongly encourage you to try out Bandcamp, which I find to be an amazing service both as an artist and customer, or grab a download via The Artist Union, which brings me to my next point…
- Apparently The Artist Union asks for a lot of control of various accounts (Facebook, YouTube, and especially SoundCloud) depending upon the settings the artist (me) chooses. Unfortunately it is not always clear which settings require what information or agreement. I just want to get y’all signed up to follow me so you don’t miss anything I release. I’m not trying to get you to share your blood type and financial histories with a bunch of random companies. So, please let me know if you try to download a track and it wants something you find unreasonable. I will look into the settings and adjust them until it’s behaving the way that benefits the kind of musician-to-music-lover relationship we are trying to develop here.
- Finally, I really am intending to catch a unicorn here. I want to make music-centric art for a living, and I want to do so in as uncompromising a way as possible. To that end, I will definitely be relying on you to tell me what, if anything, I can do to create and share these projects in a way that would be valuable to you. What might make you want to pay to download, or subscribe to stream, or join a Patreon, or otherwise contribute money to keep me from ultimately starving in a gutter in pursuit of this dream?
On that happy thought, here’s a visualization video to match the one I did for “Because 2017”, as well as a bunch of ways you can stream or download the track:
Free Download (MP3) on The Artist Union: https://theartistunion.com/tracks/a1fef4
Or pay a buck (or more if you’re feeling generous) on Bandcamp for a high quality lossless download: